Your Ad Here





Concerning Film

I'm sure everyone's noticed that this is going to be Summer of the Sequel part III, the most prominant being Spider-Man 3, Pirates of the Carribean: At World's End, and Shrek the Third.  The latter I had no intention of seeing, as CG films have lost a whole lot of their lustre for me.  However, because I was quite bored today, I broke down and finally watched Shrek 2.  It may have changed my mind about watching the Third.  Not because it was especially funny or that I was impressed by the animation [I quit caring], but because of the music.  If you can forgive the Counting Crows for not being good anymore and Chris Carrabba for crying in his beer, and can look past the songs that the director wanted to used ["Funky Town", "Livin' La Vida Loca"], then you've got a surprisingly indie soundtrack.  Eels, Tom Waits, Frou Frou, and a few others that I don't remember right now.  Then, thinking back to the first film you had Eels [again], Rufus Wainwright, and the Proclaimers.  This in mind, I may just be persuaded to check out the new one.




John Butler Trio: House of Blues, New Orleans, 4-29-07

Grand National

John Butler Trio

House of Blues 

New Orleans, LA 

This past weekend the boyfriend (Wade) and I drove to New Orleans to see our decidedly favorite band, the John Butler Trio. 

The Trip 

What a trip. 11 hours of driving later, after leaving Saturday morning, we ended up in New Orleans at about 12 A.M. on Sunday. This was with a few hours at our pit stop in Pensacola to take care of some other business and see some old friends. I was looking forward to seeing New Orleans anyways, because the last time we had both visited had been before Katrina had hit. The city has bounced back. For the record, I saw a guy, casually walking and throwing up at the same time. It was at this that I definitely decided not to wear my flip flops whilst walking.

The Road

I'd also like to mention my near-visit with a State Trooper, for laughters sake. I was going about 7 over the speed limit when one of our infamous uptight Florida State Troopers clocked me, and started to pull off the median to come get me. Thanks to an exit that led to one of our bumfuck towns in Fl, I sped off the exit, pulled around the corner into a gas station, and watched as the trooper pulled off the same exit after me, and went the wrong way in his search. Go me. Don't worry, I don't make this a habit.  

Anyways, off of I-10, we were in the middle of the French Quarter, at an intersection that had hundreds of people milling around and drunkenly weaving around (Jazzfest crowd), so it took us about 10 minutes of waiting at a simple, non-traffic-light intersection before we could drive through and find parking.

After about an hour, we finally found a parking garage that wasn't full. So, we park, ask a resident which direction Decatur Street is on, and head in that direction. Little do we know that Decatur forks, and we end up walking past the House of Blues and all the way down to the very end before we figure that one out.

When we finally get to the Music Hall entrance, we were in line for about 30 seconds before we were asked for ID. Oh, shit. I left mine in the car.

We had been up since 8 that morning, I had blisters, was sweaty, and hearing someone ask me for something I didn't have nearly started the waterworks, especially after our unplanned walking detour and the hour it took to find parking. That and the show started in like 20 minutes.

Wade, who will forever be my hero, grabbed my arm, looked me straight in the face, and said, "I'm gonna run."

So he took off sprinting through the French Quarter to go back to the parking garage and get my ID. About 10 minutes later, he calls me to tell me he's lost and can't find our parking garage, and asks me where it is. "Fuck if I know", says I, and starts walking. I walk one block and see him across the street, and he asks me on the phone, "How did you get there so quick?"

He really was lost. The next 30 minutes are spent walking around trying to find the mysterious parking garage, and we finally found a resident who knew where the street was. We had in that direction and still can't find it. We finally find it, get my ID, and start heading back, carefully. 

Wade's feeling like crap after sprinting, as he doesn't exercise much due to his love of playing guitar, and I'm emotionally thinking that we won't be able to get in because it will be full.

We do end up getting in, yay. Persistence is key.

The Show 

The show was awesome, as expected. I saw JBT a year ago in Mobile, and I have to say that show was probably better than this one. I think this for two reasons:

The venue. At the Mobile show, we were all in the sand, on the beach, and JBT played on a wooden stage that was underneath a restaurant on stilts. Way cooler. HOB was hot, full of drunk people, and very 'done-up', i.e., there was a curtain, a bar, yadda yadda. Being outside appeals to me much more.

John Butler 

The time. This show started at like 2:30 in the morning. I was tired from our days driving, and I can't imagine how tired JBT was after whatever travel and setup they had to do.

They started off with 'Used To Get High', which was slightly ironic, considering our setting.

Here's the setlist (unsigned, nothing too special):

JBT Setlist 

 Daniella rocked the house, especially because John broke out the harmonica for that one. They played several tracks from "Sunrise Over Sea", when I was hoping for more tracks from the new album, Grand National. I didn't expect him to play Ocean, but he did. Ocean was strange; I've noticed that he plays it different at almost every show, but this time it stood out particularly. Usually he starts off pretty slow, with some slap-tap guitar and fingerpicking, and then slowly builds up to the strumming of the high notes. I noticed that this time he just stopped fingerpicking, John Butler Trioand then started madly strumming all of a sudden. John got mad applause when he was done, though, per usual, as Ocean is an amazing instrumental. If you haven't heard it, you need to. I was happy they played 'Better Than', as that is one of my favorites. After an unannounced break (they just left the stage and said thank you, which to me is always quite curious. It appears they're done.) The crowd cheered and cheered and cheered, and then John came back out, said thank you, and sat down to start playing 'Peaches and Cream'. John ButlerThis was my favorite part of the show. Michael and Shannon joined him later on, further into the song, and as we were all singing along, they slowly stopped playing and just let us sing it. This was my first time seeing Peaches and Cream live, because they didn't play it last year.

Gov Did Nothin was pretty special, too, I was looking forward to this the whole time. Gov Did Nothin is a song about how Katrina hit New Orleans, and how…the government did nothing, obviously. The energy during this was great. He dedicated the song to all of us and the residents of New Orleans. Awesome, awesome. 

Funky Tonight was last, and a good end to the show. The guys did a good job, they looked a bit tired, John in particular. I'm always amazed at what drummers have to do to play; its so much more high energy that playing guitar. Michael seemed to be completely unfazed by the time. I know I couldn't have done that at 2 in the morning. I managed to snag the setlist, and then me and Wade hightailed it out of there. Its hard to believe, but we were too tired to hang out longer to try and JBTsee the guys and get autographs and such, especially facing a 3 and half hour drive (during which we almost ran out of gas).

You can click on any of the pictures for a bigger size. I'd like to apologize for the crappy quality. Don't buy a Canon Powershot 520A. My batteries were almost dead and I had a crap angle at the stage for shots, especially with my flash. I wanted to take pictures this time for myself and for you guys, as last year I forgot my camera and ended up with none. Well, except for when I got pictures with John after the show. Yes, I've met him. Lucky me.

Related Links:

 John Butler Trio Official Website

John Butler Trio on MySpace

Buy Grand National

Other LovetheMusic posts on JBT: 

Funky Tonight EP Review

Grand National Review

About JBT 

Related Audio: 

Daniella

 

[audio:http://lovethemusicreviews.com/audio/Grand%20National/02%20Daniella.mp3]

 

Good Excuse

 

[audio:http://lovethemusicreviews.com/audio/Grand%20National/05%20Good%20Excuse.mp3] 

 

Gov Did Nothin'

 

[audio:http://lovethemusicreviews.com/audio/Grand%20National/07%20Gov%20Did%20Nothin%27.mp3] 

 




Artist Spotlight :: Flight of the Conchords

flightcdcover I found out about Flight of the Conchords, "New Zealand's fourth most popular guitar-based digi-bongo a cappella-rap-funk-comedy folk duo," through a friend's brother about a week ago. I've been thinking about searching out some Mp3's to play on the Exposure Box, but you really need to see this band. Songs like "Jenny" and " Albi (the Racist Dragon)" benefit so much from Bret's facial expressions. Jemaine's, too, but to a lesser extent. FotC provide snappy jabs at cliches found all throughout today's music: rap, bedroom funk, and issues-based motivational music. The results are extremely entertaining musical excursions. Definitely one to check out at Bonnaroo. Peaces, -D.

 

 

 

 

 

 

 




Bonnaroo Artist Additions

Bonnaroo has officially announced additions to the artist-lineup for the 2007 festival, and they are as follows:

  • Ornette Coleman
  • El-P
  • David Bromberg and the Angel Band
  • Flight of the Conchords
  • The New Orleans Klezmer Allstars
  • Yard Dogs Road Show

How exciting! Who else is going? Say so in the comments, and if you've ever been before. I haven't, Bonnaroo is a first for me. Although, I do get tired at the thought of spending 4 days pretty much wide-awake in excitement. April's almost here, too. That's not really news, but reason to go outside and celebrate living. love yourself, Jen




The Shins, Gomez - Live Rockin’ Updates!

So I've been to a couple of shows lately and been sadly slothful in my keepings you posted. Let's start with the Shins, in the Venue, Salt Lake City, February 16, 2007.shins This show was supposed to be opened by Viva Voce, a husband and wife duo from Oregon [via Alabama]. However there was some inclement weather that kept them out, so it was just the Shins, which is just as well, as my party was sadly late, but lucked out and missed none of the rocking. First of all, if you've heard that the Shins are afraid to rock, or if you've heard songs like "New Slang" or "Pink Bullets" and come to the same conclusion, you are mistaken. From the opening song, "Sleeping Lessons" from the new album Wincing the Night Away, you learn the truth of things. The Shins can, and will, rock when required to, and a live setting is perfect opportunity. Seriously, the Shins know when to hold 'em, etc. Other examples of rocking out include, but are not limited to, when frontman James Mercer complained that his voice was starting to sound like Lemmy from Motorhead, without missing a beat playing the bassline of "Ace of Spades"; and of free will playing a verse and chorus of Dio's "Holy Diver". This is rocking out. And they do it well. Also, the playing of "So Says I" should, according to my friend Dave, be played after each song. I think he might be right. It's that good. The following Friday I was lucky enough to partake in Gomez at Suede in Park City. Gomez's opener, Joe Purdy, were kind enough to show up to this one. gomezDuring their set my party decided that they were a quaint little band of hobos. Fingerless gloves, beards, natty old suits, slide guitar, banjo, etc. They played nice bluesy numbers, some of which involved severely nice lead guitaring. They're good times. Gomez, for those who don't know, have been around for nigh on a decade but their popularity has been largely limited to the Uk. This, I must say, is a shame and a half, for the indie Brit-pop stylings are both catchy and classy. Being around as they have they have also learned how to put on a block-rockin' live show. Highlights include the constant switching of bass-playing duties, watching the percussionist rock out in his corner, and the extended jamming [especially on "How We Operate"]. Lowlights included being in Park City [seriously, that town blows], the drunk fellow yelling for "Shooting Holes in the Sky" between every song for the first quarter of the show, Gomez not taking the stage until after ten resulting in my being way tired during slow jams towards the end of the show. You may note that all these lowlights have to do with Park City and/or Suede, not Gomez. Final Verdicts: All the bands mentioned above are well worth seeing, even if you don't know that much of their music. Also, Park City sucks.

 

The Shins Links

The Shins Official Website

The Shins on MySpace

Video from the Salt Lake City show!

Buy "Wincing the Night Away"

 Gomez Links

Gomez Official Website 

 Gomez on MySpace

Buy How We Operate 

 Buy "Five Men In A Hut"

 

Related Audio 

Pink Bullets

 

[audio:http://www.underratedmagazine.com/music/07%20Pink%20Bullets.mp3]

 

New Slang

[audio:http://camsworld.e2blog.fr/camsworld/files/new_slang.mp3]

 

Notice

 

[audio:http://www.fileden.com&links=http://www.fileden.com/files/2007/2/27/827466/Gomez%20-%20Notice.mp3]

 

 

 

 




Jen is going to Bonnaroo 2007!

Bonnaroo PosterYeah, so I bought my tickets on the day they were let loose upon the internet. Me, the boyfriend, and another friend of ours are all going. We are trying to get more people to attend, but for some reason rough camping and port-a-potties and 200 dollar tickets are putting them off. Another official thing: I'm officially excited. I know its not until June, but still. Expect lots of pictures, lots of reviews come June/July. Jen

Related Links:

Bonnaroo 2007

Bonnaroo Tickets