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Concert Review : Shiny Toy Guns & the Rapture 05-02-07, In the Venue, SLC

Shiny Toy Guns // The Rapture

Venue : In the Venue, SLC

Date: 05-02-07 

 

So you've already heard all the negatives about the STG show.  Now you get to hear about the good stuff, namely the performances themselves.
We showed up pretty late, yet again, but this time we didn't miss the opening act.  I'm so glad we did because the Rapture encapsulate all that is good about disco.  It doesn't matter how you feel about disco right now, what matters is that if you take everything that is good about any musical genre, it will be good sounds.  On top of that one member of the band, what you would call the keyboardist, is not needed on keyboards for every song.  During those songs he fills the roll of either saxophonist or percussionist.  And by percussionist I mean he dances around with a cowbell and beats it like nobody's business.  It's superb to view.  Also, his saxophoning is akin to that heard on the Beastie Boys track "Brass Monkey" [which I've decided to be the hyphy-est thing ever].  The Rapture are great, but they didn't adhere to the opening act standard practice of saving your biggest hit for the end of the set.  Not a big complaint, but it threw of the momentum of  the show.
Regarding the headliners, there are a lot of nice things that I want to say about Shiny Toy Guns and their live performance.  I hope I cover them all.
First of all, these people take every aspect of their music seriously.  I mentioned earlier that they scrapped the album We Are Pilots twice and redid the whole thing.  That sort of obsession spills over into their live shows, too, with fancy lightings, projections, and serious energy.  They also have and interesting positioning on stage.  Normally a four-piece band will be set up like a diamond, with drums in back, bass and guitar on left and right, and a charismatic frontman out in [surprise] front.  STG was, left to right, Mikey Martin [drums], Chad Petree [guitar, vox], and switching spots were Carah Faye [vox, keys, sometimes bass] and Jeremy Dawson [bass, keys].  I'm very, very, very glad they did this because Mikey Martin is one of the most entertaining people to watch ever.  Dude likes hittin' stuff.  And since a number of songs feature some kind of electronic beat in addition to his drumming, he has a lot of free space to work in.  Also, he enjoys spitting on his bandmates.

One of my favourite things about the set was that after they played "Le Disko" a good number of the dumber people at the show made their exodus, leaving the rest of us to enjoy the show.  "Le Disko", by the way, was dedicated to us in SLC, but then more specifically to Provo.  I have no idea why, and am immensely intrigued.  If anybody can tell me the reasonings, I shall repay you tenfold.  Also they gave shoutouts to X96 for being generally kick-awesome.

Results:
The Rapture: Superfun dancy sounds.  They like you very much.
Shiny Toy Guns: Amazing energetic times.  They've only got one album out, so their set was actually shorter than the Rapture's.  Got a cover of Depeche Mode's "Stripped" [a billion times better than Rammstein's], but no "When They Came for Us".
Final Verdict!: An amazing tour.  Both bands are brilliant, keep an eye on STG.

 

 Related Links:

 Shiny Toy Guns Official Website // MySpace // Buy Their CD

 The Rapture Official Website // MySpace // Buy Their CD

Related Audio:

You Are The One - Shiny Toy Guns

 

[audio:http://lovethemusicreviews.com/audio/01%20You%20Are%20The%20One.mp3] 

 

When They Came For Us - Shiny Toy Guns

 

[audio:http://lovethemusicreviews.com/audio/04%20When%20They%20Came%20For%20Us.mp3]

 

The Rapture - Mirror

 

[audio:http://lovethemusicreviews.com/audio/Rapture%20-%20Mirror.mp3] 




MP3 Spotlight : Earth Intruders - Bjork

 

I have a little secret. I've never really listened to Bjork before now.

I know, I know. What was I missing out. I'll be working on filling the Bjork-void in my life at a later date. Cinco De Mayo is tonight, and I have a long night ahead of me, filled with crying, being in the weeds, spilling beer everywhere, and serving fajitas. And hopefully a lot of money.

 This mp3 spotlight post was going to be on the track "Innocence", from the new album, but then I realized that I liked Earth Intruders better. So here you have it. 

I love it. I love the beat to the song, makes me want to wiggle all over and shake my booty at top speed. I'm also appreciating the unique way Bjork sings. Reminds me of Johnny Cash, sort of, how in some parts she doesn't really sing, she sort of…talks.  

 Anyways, enjoy. Buy the CD. Seriously. Well worth it. Especially if you're a Bjork virgin like myself. 

 

Related Links:

Bjork Official Website

Bjork on MySpace

Buy This CD

Related Audio:

Earth Intruders - Bjork 

 

[audio:http://lovethemusicreviews.com/audio/01-bjork-earth_intruders_(co-produced_by_timbaland).mp3] 

 




Artist Spotlight : Thievery Corporation

Otherwordly Beats + Caterwauling + Ear Sex = Thievery Corporation 

 

I T Corpconsidered not writing this post, thinking, "Everybody has to know who the Thievery Corporation is…", but then I realized that even if one of you didn't know who they were before you read this post, then it was all for something. I'm so nice. And it would defeat our purpose.

Thievery Corporation was introduced to me by a friend when he was drunk, telling me how awesome they were. I took all this with a grain of salt, but he did burn me a disc with some of their stuff. I guess some people can communicate honestly when intoxicated. Well. I got hooked.

Some of you may be familiar with the track "Lebanese Blonde", which was featured on the Garden State soundtrack. (I swear, every song in the world has been featured on that soundtrack, and I've never even seen the bloody film.) They recently released their album "Versions" in 2006, which is a compilation album featuring a handful of outside artists. 

Possible categories: electronic, dub, acid jazz, lounge, world, ambient, experimental, indie, etc. 

What I like about Thievery Corporation is the global feel they have. They combine styles of music from all over, and languages, too, which makes for a quality blend of sound. Added to their political bent, you get music which is a sign of the times, and to me, representative of ever-increasing surge in globalization. (I'm an anthropology major, what can I say. <<—That. ) 

So, you have quick rundown of Thievery Corporation, a handful of links, and some selected mp3s. They're quite hard to choose, because TC is one of those groups whose albums have 12 out of 13 uber tracks. The ones I chose are from the albums I'm more familiar with. I'm not writing a band history because I don't care what year the DJ was born in. Its all about the music, dawg.

 

Related Links:

Thievery Corporation Official Website

Thievery Corporation on MySpace

Thievery Corporation Wikipedia Entry

Thievery Corporation at Last.FM

 

Related Ear Sex(doing a bit different):

Le Monde

 

[audio:http://lovethemusicreviews.com/audio/02%20-%20Le%20Monde.mp3] 

 

Facing East

 

[audio:http://lovethemusicreviews.com/audio/02%20-%20Facing%20East.mp3] 

 

Lebanese Blonde

 

[audio:http://lovethemusicreviews.com/audio/04%20-%20Lebanese%20Blonde.mp3] 

 

Heaven's Gonna Burn Your Eyes 

 

[audio:http://lovethemusicreviews.com/audio/01%20-%20Heaven%27s%20Gonna%20Burn%20Your%20Eyes.mp3] 




MP3 Spotlight : Consequence - The Notwist


Neon Golden - The Notwist

 

German + Indie Rock + Electronic = Delicious

 The Notwist has been rocking my socks for a while, so I thought I'd let the masses know of their goodness. 

 Here we have Consequence, from their release Neon Golden. Low-key, purty, but a bit of head squeeze.

 

 

 

 

Consequence

 

[audio:http://www.lovethemusicreviews.com/audio/the%20notwist%20-%20consequence.mp3]

 

 

Related Linkage:

Buy It! 

The Notwist Official Website

The Notwist on MySpace

Bio on Wikipedia 




Review: Explosions In The Sky - All Of A Sudden I Miss Everyone

Instrumental + Experimental + Post-Rock

 

I first heard of Explosions In the Sky though the telly—joined by my boyfriend as we watch Conan each weekday night. Usually. They played "Welcome, Ghosts", and I was quite relaxed by it, and impressed. Impressed because it is entirely instrumental, and instrumental music, I think, is not listened to enough or given enough credit. It seems Explosions In the Sky has a quality that I love in people, the ability to not say anything, to speak. The album is good, but not excellent. I have read some reviews around the net, and they all seem to be raving. I think theres something missing. It's missing something, perhaps a little pizzazz. There are 6 tracks on the album, and although they have a pretty, other-worldly sound, they flow by too easily without a notice. This is the first album of Explosions In the Sky I have heard, so this could be a marked improvement for them, thus the raving reviews. Check it out. It's good listening, for sure, but not a breakthrough or standout album like I expected.

 

Related Audio:

Listen to More of Explosions In the Sky

Welcome, Ghosts

 

[audio:http://www.explosionsinthesky.com/mp3s/02_Welcome_Ghosts.mp3]

 

Related Links:

Explosions In the Sky Official Website

Explosions In the Sky on MySpace

Buy This CD

Explosions In the Sky on Last.FM

 

Related Reading:

All Of A Sudden I Miss Everyone Review by Entertainment Weekly




  • So, who knew that Patrick Wolf had a new album, and didn't tell me? You're in trouble.folder.jpg Let me say first: Pat Wolf does not disappoint. With every new addition to the music world that a musician releases, I am always wary—-is this album the one that ends a decade of beautiful music? Well, no worries here. The first track, Overture, introduces itself politely and eloquently. It is smooth, soaring, and a perfect beginning. Magic Position, the album's single, has a distinctly motown feel to it, and makes a statement about the rest of the album; expect something a little different from each song. Magpie and Augustine are two of my favorites. Classy and beautiful. Piano and violin dominate Magpie, and the song has a very interesting second voice towards the end, which makes the otherwise-typical ballad-like song into a Patrick Wolf goodie. Augustine is reminiscent of Wind of the Wires, from Wind in the Wires. Secret Garden is an unexpected electronic rash, and is quite noisy. Enchanted spins like a record from the 20's, and combines that style with Wolf's own quite nicely. The only track on this album that does Wolf no justice is the messy "Get Lost", which is the perfect title for it. Overall: very impressive and likeable. Patrick Wolf has a unique sound, lyric, and goal. This album doesn't disappoint, although it doesn't create a separate identity from his other albums, and sounds a bit tired towards the end.

    Related links:

    Patrick Wolf Official Website

    Patrick Wolf on MySpace

    Buy The Magic Position

     

    Related Audio:

    Bluebells

     

    [audio:http://boyfromschool.com/GWFAS/Patrick%20Wolf/01%20Bluebells.mp3]

     

    Accident and Emergency

     

    [audio:http://www.slyblue.com/trgaw/Patrick%20Wolf%20--%20Accident%20And%20Emergency.mp3]


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