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Birds Without live at New Song Underground // 11-11-08

So, my fabulous band and I played on Veteran’s day to what is likely our largest crowd. I’ve got proof, even, because Dave had the presence of mind to have the show filmed. Glad he’s got a camera. So here are three songs: “Clockwork,” which is brand new; “Forget-Me-Nots or Roses,” which is a classic; and “Gumdrops & Lollipops,” which is the first song composed by the band, not just Ned.




Shameless Self-Promotion // Birds Without

An interesting thing has come to my attention regarding my band, Birds Without, playing at the Avalon on Saturday.  It was an exciting prospect from the beginning, playing at a venue where I’d actually been to see a band I’d actually heard of before (I saw Love You Long Time, Dave also saw Eisley there, but I missed that one) and having people in the crowd who didn’t ride there with somebody playing that night, but it just got more exciting.  Turns out the show will be taped and available on ComCast’s On Demand Presents Band Wagon LIVE.  This is copy/pasted from the Avalon website:

ComCasts On Demand Presents Band Wagon LIVE. They will be filming live tonight at this show! Come show your local music support tonight on ComCast!

Tickets are ten bucks, doors at 6:30, show at 7:00.  The lineup will be Going Second, Uncomfortable Silence, Birds Without, The Desert, and our friends in Arienette, with whom we’ve played a few times.
I’m really excited to play this show, guys.  We’ve got a few new songs* that we’ve worked out, Dave got a drum kit, so this will be his first show on that instead of the bongos, and we haven’t played in a few weeks, I’m getting the itch (or maybe it’s just this Mountain Dew I had for breakfast).

Anyhow, come out and support us and Arienette and these other fine bands.  You can even do it without going to the Avalon (3605 South State Street)!  You can watch us at home (at least that’s my understanding of how On Demand works, I’m simple in the ways of cable and satellite teevee).

*”New” here meaning new to me.  Ned put a band together so he could play some of his newer, more experimental songs live, and then Dave (Ned’s brother) and Mick (who went to high school with Ned and played bass for him occasionally back then) got Ned interested in all these old songs he wrote in high school.  We’re working on rounding out the set, and even with all this old material, we’ve written one song since the band formed as such.




Ben Folds & Regina Spektor on Conan tonight!!

My two favourite piano-based pop singers, Ben Folds and Regina Spektor, will be performing together on tonight’s Late Night with Conan O’Brien.  The song, “You Don’t Know Me”, is the first single from Ben’s album Way To Normal, which came out on Tuesday.  When I saw Ben back in June, he played a fair number of songs from the new record and I’m really excited for it (yeah, I haven’t heard it yet, even though it’s up in its entirety on his MySpace page, once I get Internets at home I’ll be a much better informed blogger).  Somebody make sure to upload that one to YouTube so I can watch it later (I don’t have TV at home, either).

You Don’t Know Me by Ben Folds & Regina Spektor (MP3)




Concert Update // Ben Folds

So, I’m a sorry entertainer and waited a few days to post about my Ben Folds show. Also, I completely failed to mention that I saw Shiny Toy Guns again a few weeks back, but that’s neither here nor there. The important Ben Folds Livething is I’ve now seen Ben Folds, who, I’m delighted to say, “just finished up the new album. We just have to put our friend Regina Spektor on there and it’s set.” Is this exciting? Yes this is.

So, Ben Folds is good at what he do. He does it on his own terms, too, which I like. If he’s tired of playing a song, he won’t do it anymore. Didn’t play “Brick.” Didn’t play “Rock this Bitch.” Didn’t play “Philosophy.” And you know what? I’m okay with that. The audience was still involved. We still sang the horn section on “Army.” We were still the choir on “Not the Same.” There were still songs made up on the spot (about how Ben never gets to play in Salt Lake, which is true). There were maracas and synthesizers and a mysterious tambourine man. There was a beautiful vibe and there was singing along. So Ben was great, but you should have known that already. So what do you need to know?

Well, as usual, it’s about the opening acts. To be brief, you don’t need to know about the opening acts. Except for Australian popster Ben Lee. After sitting through three (thankfully short) opening acts already, I was a little bummed when yet another took the stage. However, when I heard him say, “Hi, my name is Ben Lee,” I perked right up. See, Ben Lee is one third of The Bens (the other two being Folds and Kweller), so I was excited to here what pop mastery made him worthy of the group. Well, Ben Lee is an excellent performer, which I think is something that was lacking in the other openers. Sure, his songs were catchier, but that’s not all that matters. Ben made us all a part of his show by having us sing along bits, and he made the best of technical guitar difficulties by (first) jumping to a song with the music on an iPod while they fixed things, then (when that still didn’t work) unplugging his guitar and lowering his microphone to so it would pick up the guitar. So open-mic of him, but it made the set seem much more intimate. There were improvised bits on a few songs, notably on a song I’ve included for you here, “Catch My Disease.” I also really enjoyed the song American Television, so I’ve got that for you, too. Ben Lee sang songs that I could sing the chorus of after one or two times through, but more importantly, I wanted to sing along.

So that was my Ben Folds show. The complete setlist is up on my personal blog. Enjoy some, eh?

icon for podpress  Ben Folds Five - Underground [4:11m]: Play in Popup | Download
icon for podpress  Ben Lee - Catch My Disease [4:15m]: Play in Popup | Download
icon for podpress  Ben Lee - American Television [3:41m]: Play in Popup | Download




  • The funny thing about events scheduled for the start of any given month is that they sneak up on me. I don’t usually connect the end of one month with the start of another, and before I know it I’m going to see freaking Regina Spektor. How rad? So freaking rad. For the first time in a dog’s age I showed up in time to enjoy all the supporting act. Fellow named Jack from New York playing under the name Only Son. He was there by himself with a guitar, and when he played songs that needed more than just his guitar, he used his iPod as a backing band. Writing it now, it looks a little lame, but rest assured it was not. He even had a couple of conversations with it. It was highly entertaining, and his songs were excellent enough that I bought his album The Drop to the Top, and now you folks get to hear the song “Quiet Surrender,” which comes from it.Regina Live And how was Regina, you ask? Take a wild freaking guess. She sold out a venue that hosts bands like Puddle of Mudd and the Shins, but managed to make it as intimate as a show at Kilby Court. Just her and her piano (a freaking Steinway), and us. The big drawback to that is that In the Venue doesn’t have a courtyard where people can go out and talk during the show, like Kilby does. A show without thunderous drums and electrically amplified instruments allows the performer to hear you a lot better. That’s pretty cool if they’re taking requests, pretty lame if they’re “Just a quiet girl with a piano and pretty bad ADD.” Thus we were told a few times to “shut the f* up” (the best of these was in between hallelujahs on “Baby Jesus”), but she also paused to listen to a train pass during “On the Radio,” saying after the song, “I’ve never heard a train during one of my songs before. In New York, I’ve felt the subway under my ass a few times, but never heard a train.” Other highlights include the chair as percussion on “Poor Little Rich Boy,” tapping the microphone for rhythm on “Ain’t No Cover,” Jack from Only Son beatboxing on “Hotel Song,” and Regina being generally incredibly cute. I wrote down the set as it happened, I’ll be blogging it soon. Stay tuned, and do yourselves a favour: If Regina is coming to your town, you freaking go! Regina Spektor // Myspace // Buy Spektor Only Son // MySpace // Buy The Drop to the Top (1)
Emma Wallace :: A Reason To Stay Up All Night

EmmaToday we’re looking at a local lady from Orlando (I’m in Florida) called Emma Wallace. Or, just Emma.

This chica has serious self-propagation skills. It seems she has invested herself into her music, traveling to California and back, and creating her own image without the help of any major recording label. Think piano-soft rock, whimsical lovelicious lyrics and a soft but oddly demanding voice. Responsible for all the lyrics and music, Emma has recorded an impressive debut (sort of a debut) album. You even get to hear a harpsichord. Which I think is kickass, because, hello? Who else uses those?

My definite fave is ‘Alice In Wonderland’. It’s like walking down streets in Paris as a scorned, female and then turning into a mourner’s lament. Quite awesome. And she speaks Spanish, if you like that, but being as I live in Florida, hearing Spanish fails to excite me.

Check Emma out. Definitely, definitely worth a spin and your ear. She’s up and coming, and needs to be the one and only Emma.

Happy Monday.

I Am Emma // MySpazz // Buy Album

icon for podpress  Emma - Alice in Wonderland [4:03m]: Play in Popup | Download
icon for podpress  Emma - Pet (Helena's Lament): Play in Popup | Download